Flavour · 2015 · 226 citations · 54 references
Color PsychologySensory ExperiencesEducationTasty ColoursSensory ScienceVisual ArtsCultural StudiesSocial SciencesCreativityColourful TastesBasic TastesSuch Crossmodal MappingsSensometricsCognitive ScienceArt HistoryUser ExperienceSpecific ColoursFood QualityExperimental PsychologyVisual CultureColor ConstancyCultureExperimental AestheticComputational AestheticTaste PerceptionArtsCulinary Artists
Basic tastes such as sweet, sour, bitter, salty, and possibly umami may be conveyed by colour, raising questions about whether the colour‑taste relationship is universal, relative, innate, acquired, unidirectional, or bidirectional. The paper reviews systematic colour‑taste associations and examines how chefs, designers, and marketers can apply these insights in creative practice. The authors critically evaluate explanations for crossmodal colour‑taste mappings. The review shows that bidirectional colour‑taste correspondences are widely shared across cultures and distinct from synaesthesia.
Can basic tastes, such as sweet, sour, bitter, salty, and possibly also umami, be conveyed by means of colour? If so, how should we understand the relationship between colours and tastes: Is it universal or relative, innate or acquired, unidirectional or bidirectional? Here, we review the growing body of scientific research showing that people systematically associate specific colours with particular tastes. We highlight how these widely shared bidirectional crossmodal correspondences generalize across cultures and stress their difference from synaesthesia (with which they are often confused). The various explanations that have been put forward to account for such crossmodal mappings are then critically evaluated. Finally, we go on to look at some of the innovative ways in which chefs, culinary artists, designers, and marketers are taking—or could potentially push further—the latest insights from research in this area as inspiration for their own creative endeavours.
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