Audience Imagination

Audience Imagination is a theoretical construct within audience reception studies that denotes the cognitive and affective process by which spectators actively generate meanings, interpretations, and emotional responses to media texts, distinguishing it from passive reception models by emphasizing the audience's creative, interpretive agency in constructing mediated experiences.

30

Publications

2.2K

Citations

44

Authors

26

Institutions

Publications per year

2017–2026

2

Authors

44

  1. ER
    Emma Rodero

    Universitat Pompeu Fabra, Spain

    2 publications · 85 citations

    2

    h-index

  2. EL
    Eden Litt

    Northwestern University, United States

    2 publications · 984 citations

    2

    h-index

  3. JL
    Jerome L. Singer

    Yale University, United States

    2 publications · 76 citations

    2

    h-index

  4. DG
    Dorothy G. Singer

    Yale University, United States

    2 publications · 76 citations

    2

    h-index

  5. SM
    Saki Mizoroki

    Hebrew University of Jerusalem, Israel

    1 publications · 19 citations

    1

    h-index

1–5 of 44

Venues

  1. Journal of Communication

    2 publications · 65 citations

    2

    h-index

  2. Journal of Communication Inquiry

    JCI · 2 publications · 30 citations

    2

    h-index

  3. Journal of Consumer Psychology

    1 publications · 88 citations

    1

    h-index

  4. Kwartalnik Filmowy

    1 publications · 30 citations

    1

    h-index

  5. Imagination Cognition and Personality

    1 publications · 34 citations

    1

    h-index

1–5