Cultural Anthropology · 2014 · 198 citations · 6 references
Film StudyDecolonialityGilles Deleuze ’Contemporary CultureFilm TheoryHidden CurriculumDocumental CinemaTeaching MethodCultural StudiesComparative LiteratureHaraway ’Language StudiesLanguage-based ApproachPost-colonial CriticismPedagogyCritical TheoryCinema 2HumanitiesCurriculum & InstructionWorld One
This article puts a reading of Gilles Deleuze’s Cinema 2 in dialogue with Donna Haraway’s works and methods. Working through the former helps me unpack the process of Haraway’s inquisitive “implosion” method and some of its aims better. I describe this as exploring how the world is interconnected one process and thing at a time, how these connections are vitally and politically important, and how this work is inexhaustible. Following this exegesis, I offer a series of exercises for putting this method into practice, one that I use myself and teach to graduate students and undergrads.
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