Experimental Montage

Experimental Montage is a cinematic technique constituting the strategic juxtaposition of disparate visual and auditory elements to provoke novel perceptual and cognitive associations, distinguished from conventional montage by its emphasis on non-narrative, affective, and often non-linear temporal structures within the academic study of Material Film.

14

Publications

554

Citations

48

Authors

33

Institutions

Publications per year

2017–2026

4

Authors

48

  1. JF
    Jesse Farrand

    University of Oklahoma, United States

    1 publications · 32 citations

    1

    h-index

  2. WE
    Wayne E. Hensley

    Virginia Tech, United States

    1 publications · 106 citations

    1

    h-index

  3. PF
    P.N. Favennec

    Centre Hospitalier Lannion Trestel, France

    1 publications · 19 citations

    1

    h-index

  4. SP
    Stephen Prince

    1 publications · 106 citations

    1

    h-index

  5. CB
    Claude Boccara

    ESPCI Paris, France

    1 publications · 50 citations

    1

    h-index

1–5 of 48

Venues

  1. Cinema Journal

    1 publications · 106 citations

    1

    h-index

  2. Journal of Microscopy

    1 publications · 40 citations

    1

    h-index

  3. physica status solidi (a)

    1 publications · 19 citations

    1

    h-index

  4. Bioelectromagnetics

    1 publications · 18 citations

    1

    h-index

  5. Music Perception An Interdisciplinary Journal

    1 publications · 14 citations

    1

    h-index

1–5