Digital Authenticity

Digital Authenticity is a theoretical construct in music scholarship that denotes the degree to which a musical work or performance maintains perceived genuineness and integrity through digital production, distribution, and mediation, distinguishing itself by addressing authenticity claims in technologically reproducible and non-analogue contexts.

30

Publications

2.3K

Citations

61

Authors

33

Institutions

Publications per year

2017–2026

7

Authors

61

  1. MC
    Matthew C. Stamm

    Drexel University, United States

    3 publications · 290 citations

    3

    h-index

  2. DG
    David Ghiurău

    Polytechnic University of Timişoara, Romania

    2 publications · 69 citations

    2

    h-index

  3. KJ
    K. J. Ray Liu

    University of Maryland, College Park, United States

    2 publications · 83 citations

    2

    h-index

  4. DE
    Daniela Elena Popescu

    University of Oradea, Romania

    2 publications · 69 citations

    2

    h-index

  5. WW
    Weihong Wang

    Dartmouth College, United States

    2 publications · 390 citations

    2

    h-index

1–5 of 61

Venues

  1. 2

    h-index

  2. D-Lib Magazine

    2 publications · 73 citations

    2

    h-index

  3. European Journal of Marketing

    EJM · 1 publications · 36 citations

    1

    h-index

  4. The American Archivist

    1 publications · 77 citations

    1

    h-index

  5. European Journal of Communication

    1 publications · 43 citations

    1

    h-index

1–5