Recognition of notated melodies by possessors and nonpossessors of absolute pitch

Cognitive Foundations of Musical Pitch

Bruno H. Repp, Carol L. Krumhansl · The American Journal of Psychology · 1991 · 915 citations

Humanities, Musicology, Psychology +14

Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys.

Carol L. Krumhansl, Edward J. Kessler · Psychological Review · 1982 · 902 citations

Humanities, Musicology, Music Analysis +16

Scale and contour: Two components of a theory of memory for melodies.

W. Jay Dowling · Psychological Review · 1978 · 660 citations

Humanities, Psychology, Cognitive Psychology +9

Handbook of Perception and Human Performance. Volume 2. Cognitive Processes and Performance

Kenneth R. Boff, Lloyd Kaufman, James P. Thomas · 1994 · 301 citations

Social Sciences, Psychology, Cognitive Psychology +16

Recognition of transposed melodies: A key-distance effect in developmental perspective.

James C. Bartlett, W. Jay Dowling · Journal of Experimental Psychology Human Perception & Performance · 1980 · 221 citations

Humanities, Psychology, Music Psychology +16