Music Perception

Music Perception is the cognitive and sensory process by which listeners interpret and organize auditory stimuli as structured musical experiences, distinguishing it from broader auditory perception through its focus on the psychological and acoustical mechanisms underlying the apprehension of pitch, rhythm, harmony, and timbre within culturally and contextually informed frameworks.

6.5K

Publications

440.1K

Citations

9.7K

Authors

2.4K

Institutions

Publications per year

2017–2026

1.2K

Authors

9.7K

  1. SK
    Stefan Koelsch

    Max Planck Institute for Human Cognitive and Brain Sciences, Germany

    68 publications · 11.6K citations

    51

    h-index

  2. IP
    Isabelle Peretz

    Université de Montréal, Canada

    84 publications · 10.4K citations

    51

    h-index

  3. RJ
    Robert J. Zatorre

    Montreal Neurological Institute and Hospital, Canada

    61 publications · 14.5K citations

    45

    h-index

  4. CL
    Carol L. Krumhansl

    Cornell University, United States

    53 publications · 8.9K citations

    41

    h-index

  5. BT
    Barbara Tillmann

    Centre National de la Recherche Scientifique, France

    62 publications · 4.4K citations

    40

    h-index

1–5 of 9.7K

Venues

  1. Music Perception An Interdisciplinary Journal

    506 publications · 35.8K citations

    97

    h-index

  2. The Journal of the Acoustical Society of America

    JASA · 283 publications · 21.3K citations

    74

    h-index

  3. Psychology of Music

    251 publications · 15.3K citations

    66

    h-index

  4. Frontiers in Psychology

    218 publications · 12.7K citations

    58

    h-index

  5. 56

    h-index

1–5