Absolute Pitch Perception

Absolute Pitch Perception is a perceptual ability in music cognition whereby an individual identifies or produces a specific musical pitch without the aid of a reference tone, distinguishing it from relative pitch perception through its independence from contextual pitch relationships.

278

Publications

17.1K

Citations

492

Authors

229

Institutions

Publications per year

2017–2026

42

Variants

Perfect Pitch

Authors

492

  1. KM
    Ken-ichi Miyazaki

    Niigata University, Japan

    14 publications · 950 citations

    14

    h-index

  2. DD
    Diana Deutsch

    University of California San Diego, United States

    14 publications · 1.2K citations

    13

    h-index

  3. LJ
    Lutz Jäncke

    University of Zurich, Switzerland

    13 publications · 486 citations

    13

    h-index

  4. HC
    Howard C. Nusbaum

    University of Chicago, United States

    10 publications · 242 citations

    10

    h-index

  5. SC
    Stephen C. Van Hedger

    University of Chicago, United States

    10 publications · 242 citations

    10

    h-index

1–5 of 492

Venues

  1. Music Perception An Interdisciplinary Journal

    31 publications · 1.9K citations

    25

    h-index

  2. The Journal of the Acoustical Society of America

    JASA · 38 publications · 2.7K citations

    24

    h-index

  3. Psychology of Music

    13 publications · 392 citations

    13

    h-index

  4. Journal of comparative psychology

    9 publications · 357 citations

    9

    h-index

  5. PLoS ONE

    9 publications · 363 citations

    9

    h-index

1–5