Scale and contour: Two components of a theory of memory for melodies.

The magical number seven, plus or minus two: Some limits on our capacity for processing information.

George Miller · Psychological Review · 1994 · 17.3K citations

Absolute Judgment, Neurolinguistics, Cognition +22

Tonal Consonance and Critical Bandwidth

R. Plomp, Willem J. M. Levelt · The Journal of the Acoustical Society of America · 1965 · 769 citations

Music, Auditory Imagery, Psychoacoustics +17

Circularity in Judgments of Relative Pitch

Roger N. Shepard · The Journal of the Acoustical Society of America · 1964 · 740 citations

Music, Psychoacoustics, Auditory Imagery +22

The Relative Operating Characteristic in Psychology

John A. Swets · Science · 1973 · 737 citations

Warning System, Social Psychology, Safety Science +24

Contour, Interval, and Pitch Recognition in Memory for Melodies

W. J. Dowling, Diane S. Fujitani · The Journal of the Acoustical Society of America · 1971 · 353 citations

Music, Melodic Contour, Auditory Imagery +13