IEEE Transactions on Haptics · 2014 · 44 citations · 24 references
HumanitiesMusicologyAcousticsPsychoacousticsVibrationHarmony PerceptionMusic PerceptionMusical AcousticsPitch PerceptionPsychophysicsVibroacousticsComplex Chord PerceptionElectroactive Polymer ActuationElectroactive Polymer ActuatorsHuman Perception Of VibrationPolymer ActuatorsSpectral HarmonyVibrotactile Music Perception
This paper is concerned with the perception of complex vibrotactile stimuli in which a few sinusoidal vibrations with different frequencies are superimposed. We begin with an observation that such vibrotactile signals are analogous to musical chords in which multiple notes are played simultaneously. A set of so-called "vibrotactile chords" are designed on the basis of musical chords, and their degrees of consonance (harmony) that participants perceive are evaluated through a perceptual experiment. Experimental results indicate that participants can reliably rate the degrees of consonance of vibrotactile chords and establish a well-defined function that relates the degree of consonance to the base and chordal frequency of a vibrotactile chord. These findings have direct implications for the design of complex vibrotactile signals that can be produced by current wideband actuators such as voice-coil, piezoelectric, and electroactive polymer actuators.
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Sliman J. BensmaÏa, Mark Hollins · Somatosensory & Motor Research · 2003 · 279 citations · Full text
Engineering, Neurobiology, Acoustics +15