Musical hallucinosis in acquired deafness: Phenomenology and brain substrate

Timothy D. Griffiths

Brain · 2000 · 238 citations · 28 references

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Concepts

TL;DR

Six deaf patients experienced musical hallucinations without epilepsy or psychosis. The study proposes a neuropsychological model of musical hallucinosis and tests it with functional imaging. The model posits spontaneous activity in a temporal‑pattern analysis module, and PET was used to map activity correlated with hallucination severity. PET revealed no primary auditory cortex activation but identified a network in posterior temporal lobes, right basal ganglia, cerebellum, and inferior frontal cortex similar to that seen in normal patterned‑sound perception, supporting the model.

Abstract

Six subjects with musical hallucinations following acquired deafness are described. The subjects all experienced the condition in the absence of any other features to suggest epilepsy or psychosis. I propose a neuropsychological model for the condition consistent with detailed observation of the subjects' phenomenology. The model is based on spontaneous activity within a cognitive module for the analysis of temporal pattern in segmented sound. Functional imaging was carried out to test the hypothesis that musical hallucinosis is due to activity within such a module, for which the neural substrate is a distributed network distinct from the primary auditory cortex. PET was carried out on the six subjects to identify areas where brain activity increased as a function of the severity of the hallucination. In a group analysis, no effect was demonstrated in the primary auditory cortices. Clusters of correlated activity were demonstrated in the posterior temporal lobes, the right basal ganglia, the cerebellum and the inferior frontal cortices. This network is similar to that previously demonstrated during the normal perception and imagery of patterned–segmented sound, and is consistent with the proposed neuropsychological and neural mechanism.

References

28