Journal of Music Theory · 2000 · 251 citations · 23 references
HumanitiesMusicologyMusic AestheticsMusic PsychologyMusic TheoryMusic PerceptionMusic SemanticsMusical ExperienceMusical InterpretationMusical MeaningMusical UnderstandingCognitive Aesthetics Of MusicCognitive Theory Of MindMeaning-making In MusicMusical CognitionMusical Concept RepresentationMusical Self-concept
Research Article| October 01 2000 A Cognitive Theory of Musical Meaning Candace Brower Candace Brower Search for other works by this author on: This Site Google Journal of Music Theory (2000) 44 (2): 323–379. https://doi.org/10.2307/3090681 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Candace Brower; A Cognitive Theory of Musical Meaning. Journal of Music Theory 1 October 2000; 44 (2): 323–379. doi: https://doi.org/10.2307/3090681 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsJournal of Music Theory Search Advanced Search The text of this article is only available as a PDF. 2000 © Yale University, New Haven, Connecticut 065202000 Article PDF first page preview Close Modal Issue Section: Articles You do not currently have access to this content.
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Conceptual Integration Networks
Gilles Fauconnier, Mark Turner · Cognitive Science · 1998 · 1.7K citations · Full text
Pitch, consonance, and harmony
Ernst Terhardt · The Journal of the Acoustical Society of America · 1974 · 714 citations
Humanities, Musicology, Acoustics +16
The psychological representation of musical pitch in a tonal context
Carol L. Krumhansl · Cognitive Psychology · 1979 · 413 citations
Humanities, Musicology, Psychology +16