Mask-actor Relationship

Mask-Actor Relationship is a theoretical construct in performance studies that denotes the dynamic interplay between an actor and a mask, whereby the mask functions as both a physical and symbolic extension of the performer’s embodied expression, distinguishing it from mere costume or prop use through its constitutive role in shaping identity, presence, and performative agency.

27

Publications

769

Citations

34

Authors

17

Institutions

Publications per year

2017–2026

2

Authors

34

  1. DR
    David Roy

    University of Newcastle Australia, Australia

    2 publications · 24 citations

    2

    h-index

  2. KW
    Kimberly W. Benston

    2 publications · 53 citations

    2

    h-index

  3. PM
    Phil Manning

    Cleveland State University, United States

    1 publications · 48 citations

    1

    h-index

  4. AV
    Angeliki Varakis

    University of Kent, United Kingdom

    1 publications · 14 citations

    1

    h-index

  5. JR
    James R. Payne

    Science Applications International Corporation (United States), United States

    1 publications · 13 citations

    1

    h-index

1–5 of 34

Venues

  1. The Modern Language Review

    2 publications · 82 citations

    2

    h-index

  2. Educational Theatre Journal

    1 publications · 40 citations

    1

    h-index

  3. Revue de l histoire des religions

    RHR · 1 publications · 39 citations

    1

    h-index

  4. World Literature Today

    WLT · 1 publications · 13 citations

    1

    h-index

  5. Cultural Studies

    1 publications · 25 citations

    1

    h-index

1–5