Choice Reviews Online · 2005 · 27 citations · 0 references
HumanitiesMusicologyHistorical MusicologyMusic CriticismMusic SociologyBaroque IconographyBaroque MusicBaroque Performance PracticeClassical Era MusicOpera HistoryRenaissance MusicBaroque InstrumentationBaroque Sacred MusicEnglish Baroque MusicFrench Baroque MusicItalian Baroque MusicMusic In Latin AmericaReign HistoriesSacred Music History
Preface Acknowledgements Introduction: as an historical concept Part I: The Baroque in the Seventeenth Century Chapter 1: The Renaissance in Transition-Origins of New Musical concepts Chapter 2: Baroque Innovations in Italy to circa 1640 Chapter 3: Claudio Monteverdi (1567=1643) Chapter 4: The Baroque in Italy from c1640 to c1700 Chapter 5: Arcangelo Corelli (1653-1713 and Alessandro Scarlatti (1660-1725) George J. Buelow Chapter 6: The Baroque in France Chapter 7: Sacred Music in Northern and Southern Europe and Austria in the Seventeenth Century Chapter 8: Secular Music in Northern and Southern Europe and Austria in the Seventeenth Century Chapter 9: Heinrich Schutz (1585-1672) Chapter 10: English Music during the Stuart Reign, the Commonwealth and the Restoration Chapter 11: Henry Purcell (1659-1695) Chapter 12: Music in Spain, Portugal, and Latin America By Rui Vieira Nery Chapter 13: Music in Eastern Europe by Ennio Stipcevic, Metoda Kokole, and Claudia Jensen Part II: The Baroque in Transition Chapter 14: Music in Italy Chapter 15: Opera at Hamburg, Dresden, and Vienna Chapter 16: George Frideric Handel (1685-1759) Chapter 17: Johann Sebastian Bach (1685-1750) Chapter 18: Georg Philipp Telemann (1681-1767) Bibliography Index List of Contributors