Baroque Instrumentation

Baroque Instrumentation is a historical musicological construct that identifies the characteristic ensemble configurations, period-specific instruments, and standardized performance practices employed in European art music during the late 16th to early 18th centuries, distinguished from later instrumental traditions by its adherence to continuo-based textures, historically authentic timbres, and compositional conventions of the Baroque era.

6

Publications

196

Citations

8

Authors

1

Institutions

Publications per year

2017–2026

0

Authors

8

  1. EH
    Edgar Hunt

    1 publications · 38 citations

    1

    h-index

  2. AP
    Andrew Pinnock

    University of Southampton, United Kingdom

    1 publications · 38 citations

    1

    h-index

  3. RM
    Renato Meucci

    1 publications · 18 citations

    1

    h-index

  4. PC
    Paul Carroll

    Guy's and St Thomas' NHS Foundation Trust, United Kingdom

    1 publications · 38 citations

    1

    h-index

  5. GR
    G. Rognoni

    University of Milan, Italy

    1 publications · 18 citations

    1

    h-index

1–5 of 8

Institutions

1

  1. Royal Society

    London, United Kingdom

    1 h-index

    1 publications

    34 citations

1–1 of 1

Venues

  1. Choice Reviews Online

    CRO · 2 publications · 68 citations

    2

    h-index

  2. The Galpin Society Journal

    GSJ · 2 publications · 76 citations

    2

    h-index

  3. Early Music

    1 publications · 34 citations

    1

    h-index

1–3