Baroque Performance Practice

Baroque Performance Practice is a scholarly discipline within historical performance practice that investigates and reconstructs the stylistic conventions, techniques, and interpretive approaches specific to Western art music composed during the Baroque era, approximately 1600 to 1750.

90

Publications

3.4K

Citations

97

Authors

23

Institutions

Publications per year

2017–2026

2

Variants

Historical Performance PracticeInstrumental Performance PracticeOpera Performance PracticeVocal Performance Practice

Authors

97

  1. MF
    Manfred F. Bukofzer

    2 publications · 218 citations

    2

    h-index

  2. PW
    Peter Walls

    Victorian Bar, Australia

    2 publications · 85 citations

    2

    h-index

  3. JP
    Joseph P. Swain

    2 publications · 22 citations

    2

    h-index

  4. RD
    Robert Donington

    Family Court of Australia, Australia

    2 publications · 133 citations

    2

    h-index

  5. DB
    Dietrich Bartel

    2 publications · 242 citations

    2

    h-index

1–5 of 97

Venues

  1. Choice Reviews Online

    CRO · 19 publications · 817 citations

    14

    h-index

  2. Early Music

    11 publications · 444 citations

    11

    h-index

  3. Notes

    11 publications · 714 citations

    10

    h-index

  4. The Musical Quarterly

    3 publications · 59 citations

    3

    h-index

  5. Journal of Aesthetics and Art Criticism

    3 publications · 180 citations

    3

    h-index

1–5