Emotion · 2020 · 54 citations · 69 references
HumanitiesMusic EducationPsychologyAffective NeuroscienceMusic PsychologyNonverbal CommunicationEmotion PerceptionEmotion RecognitionMusic EmotionMusic PerceptionMusical ExpertiseVoice PerceptionEmotionsMusic Emotion ClassificationMusic Perception TrainingMusic Training EffectsSpontaneous Emotion RecognitionVocal Emotion PerceptionVocal Emotion RecognitionVoice Emotion Recognition
= 169) comprised musically trained and untrained listeners who varied widely in their musical skills, as assessed through self-report and performance-based measures. The emotion recognition tasks required listeners to categorize emotions in nonverbal vocalizations (e.g., laughter, crying) and in speech prosody. Music training was associated positively with emotion recognition across tasks, but the effect was small. We also found a positive association between music perception abilities and emotion recognition in the entire sample, even with music training held constant. In fact, untrained participants with good musical abilities were as good as highly trained musicians at recognizing vocal emotions. Moreover, the association between music training and emotion recognition was fully mediated by auditory and music perception skills. Thus, in the absence of formal music training, individuals who were "naturally" musical showed musician-like performance at recognizing vocal emotions. These findings highlight an important role for factors other than music training (e.g., predispositions and informal musical experience) in associations between musical and nonmusical domains. (PsycInfo Database Record (c) 2022 APA, all rights reserved).
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Default Bayes factors for ANOVA designs
Jeffrey N. Rouder, Richard D. Morey, Paul L. Speckman et al. · Journal of Mathematical Psychology · 2012 · 1.9K citations · Full text
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Humanities, Musicology, Psychology +10