Music Perception An Interdisciplinary Journal · 2012 · 113 citations · 28 references
Social SciencesPsychologyEveryday Life StudiesMusic PsychologyUser Experience DesignMobile User ExperienceMusic ListeningMusic PerceptionMusical ExperiencePersonal ExperienceActivitiesEcological ValidityEvent-related AnalysisEveryday Music ListeningMusic In Everyday LifeMusic SamplingSampling
Everyday music use measurement is difficult, but the Experience Sampling Method offers a less intrusive, ecologically valid approach. The study aimed to develop and pilot a mobile Experience Sampling Method (m‑ESM) that captures event‑related data during natural listening episodes. An app integrating mobile‑device technology with a personal music player was built, and trial data from 101 participants were analyzed to assess the m‑ESM’s efficacy. The m‑ESM preserved ecological validity, imposed minimal intrusion, and enabled real‑time questionnaires that reduce recall bias, providing rich data to improve accurate measurement of everyday music listening.
The measurement of everyday music use remains a challenge for researchers, with many of the available methodologies limited by intrusiveness or lack of ecological validity. The Experience Sampling Method (ESM) addresses such limitations by assessing current subjective experience at various times throughout participants’ everyday functioning. The aim of the current project was to develop and trial a mobile ESM (m-ESM) capable of collecting event-related data during natural listening episodes. This methodology was designed to maintain a natural and familiar listening experience for participants, and to collect real-time data on personal music listening. An application (app) was created which utilized mobile-device technology, and allowed combination of experience sampling with a personal music player. Analyses were performed on trial data from 101 participants to determine the efficacy of the m-ESM. Results indicated that this methodology would maintain ecological validity and cause minimal intrusion into everyday activities of the listener. Questionnaires were answered immediately at the time of listening, minimizing the problem of retrospective recall biases. This innovative methodology allows for the collection of a wealth of listening data that will advance the accurate measurement of everyday, personal music listening.
28