Music Sampling

Music Sampling is the practice of appropriating a segment of sound recording from an existing musical work and incorporating it into a new composition, distinguished within the domain of copyright and moral rights by its reliance on pre-existing expressive elements without direct performance or notation.

44

Publications

2K

Citations

60

Authors

44

Institutions

Publications per year

2017–2026

6

Authors

60

  1. PW
    Patrick Waelbroeck

    Télécom Paris, France

    3 publications · 338 citations

    3

    h-index

  2. SC
    Steve Collins

    University of British Columbia, Canada

    2 publications · 36 citations

    2

    h-index

  3. MP
    Martin Peitz

    University of Mannheim, Germany

    2 publications · 319 citations

    2

    h-index

  4. JM
    Justin Morey

    Leeds Beckett University, United Kingdom

    2 publications · 42 citations

    2

    h-index

  5. TK
    Tobias Kretschmer

    Ludwig-Maximilians-Universität München, Germany

    2 publications · 45 citations

    2

    h-index

1–5 of 60

Venues

  1. Zenodo (CERN European Organization for Nuclear Research)

    Repository · 3 publications · 45 citations

    3

    h-index

  2. Popular Music

    3 publications · 160 citations

    3

    h-index

  3. SSRN Electronic Journal

    Repository · 3 publications · 118 citations

    3

    h-index

  4. IASPM Journal

    2 publications · 46 citations

    2

    h-index

  5. Organised Sound

    2 publications · 133 citations

    2

    h-index

1–5