Psychology of Music · 2007 · 40 citations · 14 references
EducationEducational PsychologyPsychologyHuman PerformanceImprovisationJazz StudiesImprovisational PerformanceJazz ImprovisationJazz Performance PracticePerformance TasksPractice StrategiesImprovisation Task DesignImprovisational PracticeJazz Chord ProgressionsPhysical PracticeTask Difficulty AssessmentTonal Pattern DiscriminationTonal Perception
Sixty undergraduate students who had completed at least one semester of jazz improvisation were assigned to either: (a) physical practice (PP); (b) mental practice (MP); (c) combined 66 percent PP and 33 percent MP (66%PP:33%MP); and (d) combined 33 percent PP and 66 percent MP (33%PP:66%MP) groups. Subjects were to perform a 3—1—7—5 tonal pattern over two difficulty levels of chord progressions. A pre-test, a three-minute practice session, and a post-test were performed for each progression. ANCOVA results revealed significant interaction between groups and task difficulty. Post-hoc t-test revealed superior results for both MP and 33%PP:66%MP on the easy task compared with the hard task. The four groups were collapsed into two groups: (a) PP and 66%PP:33%MP, both high in percentage of PP (HPP); and (b) MP and 33%PP:66%MP, both high in percentage of MP (HMP). Post-hoc t-test revealed a significantly superior performance of the HPP to that of the HMP on the hard task.
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