2013 · 15 citations · 17 references
ArchitectureHeritage ConservationDigital ImagingHeritage SurveyImmersive Visualization3D ImagingCultural HeritageDigital HeritageDigital Heritage InterpretationPhotogrammetryStereo Vision3D Cultural Heritage Documentation3D Site VisualizationCultural Heritage ImagingCultural Heritage VisualizationDigital Documentation Of HeritageDigital Image AcquisitionHistorical Site InterpretationStereoscopic Projection
The digital imaging acquisition and visualization techniques described here provides a hyper-realistic stereoscopic spherical capture of cultural heritage sites. An automated dualcamera system is used to capture sufficient stereo digital images to cover a sphere or cylinder. The resulting stereo images are projected undistorted in VR systems providing an immersive virtual environment in which researchers can collaboratively study the important textural details of an excavation or historical site. This imaging technique complements existing technologies such as LiDAR or SfM providing more detailed textural information that can be used in conjunction for analysis and visualization. The advantages of this digital imaging technique for cultural heritage can be seen in its non-invasive and rapid capture of heritage sites for documentation, analysis, and immersive visualization. The technique is applied to several significant heritage sites in Luxor, Egypt and Saudi Arabia.
17
The CAVE: audio visual experience automatic virtual environment
Carolina Cruz‐Neira, Daniel J. Sandin, Thomas A. DeFanti et al. · Communications of the ACM · 1992 · 1.7K citations
Shenchang Eric Chen · 1995 · 1.2K citations · Full text
Stereo panorama with a single camera
Moshe Ben-Ezra · 2003 · 200 citations
The StarCAVE, a third-generation CAVE and virtual reality OptIPortal
Thomas A. DeFanti, Gregory Dawe, Daniel J. Sandin et al. · Future Generation Computer Systems · 2008 · 175 citations