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Engaging "Apolitical" Adolescents: Analyzing the Popularity and Educational Potential of Dystopian Literature Post-9/11
45
Citations
11
References
2013
Year
Young AdultsSocial CriticismEducationContemporary CultureEarly American LiteratureHidden CurriculumDystopian Literature Post-9/11Literary CriticismChildren's LiteratureDystopian NovelsDystopian LiteratureBiopoliticsPost-colonial CriticismArtsImaginative WritingAdolescent PsychologyAdolescent DevelopmentCritical TheoryAdolescent LearningSchool ViolenceCreative NonfictionPolitical ApathyLiterary HistoryHumanitiesContemporary FictionSecondary EducationEducational Potential
Dystopian novels have become especially popular among young adults after 9/11, challenging the notion that Millennials are politically apathetic by revealing a strong interest in politically themed fiction. The article examines how young adult dystopias can be used educationally to engage students in social justice and potentially inspire political action. The popularity of dystopian YA literature indicates that teens are indeed interested in political themes, often exploring them safely through fiction.
Although dystopian novels have been prevalent under the young adult banner for decades, their abundance and popularity post-9/11 is noteworthy. The 21 st century has found academics and laypersons alike discussing the supposed political apathy of young adults and teenagers of the Millennial Generation. However, despite this common complaint—and contrary to ample research that indicates that this age group has traditionally been uninterested in global politics—the reading preferences of this generation indicate that this label of "apolitical" may not be as fitting as some believe. In fact, the popularity of young adult dystopian literature, which is ripe with these political themes, suggests that this group is actually quite interested in these topics, although they often turn to the safe confines of fiction to wrestle with them. This article explores the potential educational uses of these young adult dystopias and argues that reading these texts may be a small step in the direction of engaging students in social justice issues and, perhaps, sparking more overt political action.
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