The Man Whom the World Sold: Kurt Cobain, Rock's Progressive Aesthetic, and the Challenges of Authenticity

Abstract

Journal Article The Man Whom the World Sold: Kurt Cobain, Rock's Progressive Aesthetic, and the Challenges of Authenticity Get access Mark Mazullo Mark Mazullo Search for other works by this author on: Oxford Academic Google Scholar The Musical Quarterly, Volume 84, Issue 4, Winter 2000, Pages 713–749, https://doi.org/10.1093/mq/84.4.713 Published: 01 December 2000