Musical Authenticity

Musical Authenticity is a theoretical construct within the study of musical identity formation that denotes the perceived degree of fidelity between an individual's or group's musical expression and its attributed cultural, historical, or personal origins, serving to distinguish genuine or original musical practices from those considered imitative or inauthentic.

64

Publications

4.1K

Citations

65

Authors

31

Institutions

Publications per year

2017–2026

6

Authors

65

  1. RA
    Richard A. Peterson

    Vanderbilt University, United States

    4 publications · 607 citations

    4

    h-index

  2. PK
    Peter Kivy

    Rutgers, The State University of New Jersey, United States

    3 publications · 185 citations

    3

    h-index

  3. SD
    Stephen Davies

    University of Auckland, New Zealand

    3 publications · 146 citations

    3

    h-index

  4. MM
    Mark Mazullo

    1 publications · 19 citations

    1

    h-index

  5. JO
    James O. Young

    University of Victoria, Canada

    1 publications · 55 citations

    1

    h-index

1–5 of 65

Venues

  1. Choice Reviews Online

    CRO · 8 publications · 1K citations

    8

    h-index

  2. Journal of Aesthetics and Art Criticism

    3 publications · 104 citations

    3

    h-index

  3. Popular Music & Society

    3 publications · 314 citations

    3

    h-index

  4. Music Education Research

    2 publications · 93 citations

    2

    h-index

  5. Popular Music

    2 publications · 491 citations

    2

    h-index

1–5