Construction of Authenticity is a theoretical framework within the study of music that systematically establishes how authenticity is culturally, historically, and discursively produced through specific criteria, practices, and power relations rather than being an inherent or fixed attribute.
207
Publications
11.7K
Citations
265
Authors
135
Institutions
Publications per year
2017–2026
34
Parents
Publications
207
The Importance of Authenticity for Self and Society
Rebecca J. Erickson · Symbolic Interaction · 1995 · 626 citations
Creating Country Music: Fabricating Authenticity.
Howard L. Sacks, Richard A. Peterson · Social Forces · 1999 · 483 citations
Authenticity as authentication
Allan Moore · Popular Music · 2002 · 473 citations
Beyond authenticity and commodification
Stroma Cole · Annals of Tourism Research · 2007 · 386 citations · Full text
1–5 of 207
Authors
265
- RA
4
h-index
- GE
3
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- AF
3
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- PK
3
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- JM
2
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1–5 of 265
Institutions
135
Yale University
New Haven, United States
4 h-index
5 publications
475 citations
University of Southampton
Southampton, United Kingdom
3 h-index
3 publications
61 citations
University of Edinburgh
Edinburgh, United Kingdom
3 h-index
3 publications
105 citations
Griffith University
Brisbane, Australia
2 h-index
2 publications
78 citations
Bar-Ilan University
Ramat Gan, Israel
2 h-index
2 publications
49 citations
Indiana University
Bloomington, United States
2 h-index
2 publications
178 citations
Auckland University of Technology
Auckland, New Zealand
2 h-index
2 publications
33 citations
University of Toronto
Toronto, Canada
2 h-index
2 publications
91 citations
1–8 of 135
Venues
- Choice Reviews Online
CRO · 9 publications · 941 citations
9
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- Popular Music
6 publications · 736 citations
6
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- Annals of Tourism Research
5 publications · 692 citations
5
h-index
- Popular Music & Society
4 publications · 349 citations
4
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- Early Music
4 publications · 140 citations
4
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1–5