American Journal of Sociology · 1987 · 602 citations · 16 references
Film StudyCumulative ProductivityProject ManagementOrganizational EconomicsFilm TheoryIndustrial OrganizationPopular CultureMedia StudiesShort-term ProjectsProductivityDirector’s WorkManagementRecurrent TiesStrategic ManagementFilm HistoryBusinessHollywood Film IndustryArtsFilm Studies
The Hollywood film industry operates as a network of recurrent ties among major participants who work under short‑term contracts, a project‑based structure that mitigates uncertainty and risk. The study investigates how independent contractors in Hollywood organize to reduce uncertainty and risk, increase profits, and how past productivity of key participants influences film earnings. Analysis of 2,430 films (1965‑80) shows that recurrent ties cluster participants with similar cumulative productivity in earnings, Oscars, nominations, and film counts.
The Hollywood film industry is considered as a system of recurrent ties among the various major participants who usually work under short-term contracts for single films. This form of project-based organization in seen as a response to uncertainty and risk in the film industry. The Paper examines the ways in which independent contractors-producers, directors, cinematographers, and actors-organize and operate to reduce uncertainty and risk and to increase profits. The analysis of data from 2,430 films made in the period 1965-80 establishes patterns of recurrent ties among participants who are at comparable levels of cumulative productivity with respect to earnings, Oscars, Oscar nominations, and number of previous films. The paper also considers the degree to which film earnings are influenced by the past productivity of the major participants.
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Educational Organizations as Loosely Coupled Systems
Karl E. Weick · Administrative Science Quarterly · 1976 · 7.2K citations
Tom Burns, G. M. Stalker · 1994 · 4.4K citations · Full text