Exploring the meaning of participation in a community art project: A case study on the Seeming project

Monica Eviandaru Madyaningrum, Christopher C. Sonn

Journal of Community & Applied Social Psychology · 2010 · 27 citations · 17 references

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TL;DR

Community art has attracted research interest as a community development strategy, yet the mechanisms by which participation yields positive outcomes remain poorly understood. This study investigates how participants experience meaning in a community art project. Ten participants were interviewed about their involvement in the Seeming project in Bendigo, Australia. Thematic analysis identified three themes—giving voice to the silenced, creating social connections, and challenging/reproducing stereotypes—showing that participation fosters new relationships and narratives while also revealing unresolved problematic stories that call for conscious deconstruction. © 2010 John Wiley & Sons, Ltd.

Abstract

Abstract In Australia, community art has drawn significant research attention in regard to its potential as a community development strategy. Despite the fact that researchers have presented evidence for the positive developmental outcomes of participation in community art projects, a gap remains in understanding how and why people's participation in a community art project can lead to those positive outcomes. This research explored the meaning of participation in a community art project from the vantage point of the people who experience it. Ten participants were interviewed about their participation in a community art project (The Seeming) held in Bendigo, Australia. Following thematic analyses we identified three themes of how participants viewed their participation in a community arts project. These themes included giving voice to the silenced, creation of social connections and challenging and reproducing stereotypes. Participation means coming together and the findings highlight the potential of community arts projects for promoting the creation of new relationships and new stories about community. However, there are also problematic stories about self and others that were not deconstructed. It is argued that the settings in which different groups join can be meaningfully extended if there is an explicit concern with consciousness raising and deconstruction of normative stories. Copyright © 2010 John Wiley & Sons, Ltd.

References

17