Journal of Personality and Social Psychology · 2011 · 380 citations · 46 references
HumanitiesMusicologyPsychologyMusic AnalysisMusic PsychologyMusic SociologyAesthetic Response To MusicMusic EmotionMusic PerceptionMusic PreferenceMusical ExperienceMusical GenresAffective StyleBig Five Personality ModelCross-cultural Music EmotionCross-cultural PerceptionEmotional Responses To Preferred MusicLatent Factor ModelsMusic Listening PreferencesMusic Preference Measurement
Music is a cross-cultural universal, a ubiquitous activity found in every known human culture. Individuals demonstrate manifestly different preferences in music, and yet relatively little is known about the underlying structure of those preferences. Here, we introduce a model of musical preferences based on listeners' affective reactions to excerpts of music from a wide variety of musical genres. The findings from 3 independent studies converged to suggest that there exists a latent 5-factor structure underlying music preferences that is genre free and reflects primarily emotional/affective responses to music. We have interpreted and labeled these factors as (a) a Mellow factor comprising smooth and relaxing styles; (b) an Unpretentious factor comprising a variety of different styles of sincere and rootsy music such as is often found in country and singer-songwriter genres; (c) a Sophisticated factor that includes classical, operatic, world, and jazz; (d) an Intense factor defined by loud, forceful, and energetic music; and (e) a Contemporary factor defined largely by rhythmic and percussive music, such as is found in rap, funk, and acid jazz. The findings from a fourth study suggest that preferences for the MUSIC factors are affected by both the social and the auditory characteristics of the music.
46
Choice Reviews Online · 2003 · 2K citations
Music and emotion: theory and research
Choice Reviews Online · 2002 · 1.3K citations
Humanities, Musicology, Psychology +12