Contemporary Music Review · 2003 · 24 citations · 0 references
HumanitiesPerformance StudiesAudience StudiesMedia TheoryMusic SociologyAudience ReceptionMedia ConsumptionMedia ReceptionMusic AudiencesMusic ConsumptionReception TheoryAudience Interpretation Of MusicAudience Reception TheoryExpectationsMass ReceptionMedia Audience ReceptionPerformance SettingPopular Music Performance
Abstract In this article, I address several issues of how audiences – enculturated by pop media – form expectations while consuming electronic music in a traditional performance setting, and how these expectations undermine the listening experience. Keywords: reception theoryperformance issueslaptopspop media enculturation