Oral-performance Interface

The Oral-Performance Interface is a theoretical construct within the study of epic tradition that delineates the dynamic and reciprocal relationship between oral composition and live performance, distinguishing itself from related models by foregrounding the co-constitutive roles of poet, audience, and context in shaping the emergent textual form.

10

Publications

347

Citations

16

Authors

7

Institutions

Publications per year

2017–2026

1

Authors

16

  1. RJ
    Ronald J. Pelias

    Southern Illinois University Carbondale, United States

    1 publications · 118 citations

    1

    h-index

  2. DK
    David K. Farkas

    University of Washington, United States

    1 publications · 13 citations

    1

    h-index

  3. JV
    James VanOosting

    Southern Illinois University Carbondale, United States

    1 publications · 118 citations

    1

    h-index

  4. KM
    Kristin M. Langellier

    University of Maine, United States

    1 publications · 22 citations

    1

    h-index

  5. TN
    Terumi Narushima

    University of Wollongong, Australia

    1 publications · 16 citations

    1

    h-index

1–5 of 16

Venues

  1. Dead Sea Discoveries

    1 publications · 41 citations

    1

    h-index

  2. Choice Reviews Online

    CRO · 1 publications · 50 citations

    1

    h-index

  3. Communication Monographs

    1 publications · 29 citations

    1

    h-index

  4. Mnemosyne

    1 publications · 24 citations

    1

    h-index

  5. Theatre Journal

    1 publications · 18 citations

    1

    h-index

1–5