Musical Audition

Musical Audition is a theoretical construct in music cognition that denotes the active, perceptual process of attending to and interpreting structured sound events as musical experiences, distinguishing it from passive hearing by its engagement with aesthetic, emotional, and cognitive dimensions of auditory stimuli.

82

Publications

6.3K

Citations

172

Authors

95

Institutions

Publications per year

2017–2026

10

Authors

172

  1. CE
    Carl E. Seashore

    University of Iowa, United States

    4 publications · 104 citations

    4

    h-index

  2. MS
    Michael Schutz

    McMaster University, Canada

    3 publications · 296 citations

    3

    h-index

  3. LB
    Luke Barrington

    University of California San Diego, United States

    2 publications · 165 citations

    2

    h-index

  4. AR
    Adriana Renero

    City University of New York, United States

    2 publications · 36 citations

    2

    h-index

  5. GL
    Gert Lanckriet

    University of California San Diego, United States

    2 publications · 165 citations

    2

    h-index

1–5 of 172

Venues

  1. Music Educators Journal

    4 publications · 104 citations

    4

    h-index

  2. The Journal of the Acoustical Society of America

    JASA · 3 publications · 71 citations

    3

    h-index

  3. Music Perception An Interdisciplinary Journal

    3 publications · 61 citations

    3

    h-index

  4. Proceedings of the National Academy of Sciences

    PNAS · 3 publications · 516 citations

    3

    h-index

  5. Perception & Psychophysics

    2 publications · 144 citations

    2

    h-index

1–5