Jukebox Culture

Jukebox Culture is a cultural phenomenon within Popular Performance History that centers on the consumption and social ritualization of recorded popular music through coin-operated playback devices, distinguished by its role in shaping public musical taste, enabling ephemeral community formation, and fostering participatory engagement with mass-mediated sound in mid-twentieth-century urban leisure spaces.

10

Publications

725

Citations

29

Authors

16

Institutions

Publications per year

2017–2026

2

Authors

29

  1. GD
    Gideon D’Arcangelo

    Keio University Shonan Fujisawa, Japan

    2 publications · 105 citations

    2

    h-index

  2. SP
    Sam Passmore

    Australian National University, Australia

    2 publications · 105 citations

    2

    h-index

  3. AL
    Anna L. Wood

    Hunter College, United States

    2 publications · 105 citations

    2

    h-index

  4. MA
    Maisa Atayeva

    University of Toronto, Canada

    2 publications · 105 citations

    2

    h-index

  5. MF
    Michael Flory

    New York State Office for People With Developmental Disabilities, United States

    2 publications · 105 citations

    2

    h-index

1–5 of 29

Venues

  1. Notes

    1 publications · 247 citations

    1

    h-index

  2. 1

    h-index

  3. The American Historical Review

    AHR · 1 publications · 126 citations

    1

    h-index

  4. American Music

    1 publications · 26 citations

    1

    h-index

  5. Contemporary Sociology A Journal of Reviews

    1 publications · 57 citations

    1

    h-index

1–5