Improvisational Understanding

Improvisational Understanding is a cognitive-theoretical construct within the domain of musical understanding that specifically denotes the capacity to generate, interpret, and evaluate spontaneously created musical expressions in real time, distinguishing it from other forms of musical understanding by its emphasis on immediacy,创造性 decision-making, and adaptive responsiveness within performance contexts.

68

Publications

3.2K

Citations

108

Authors

59

Institutions

Publications per year

2017–2026

20

Authors

108

  1. AG
    Andrew Goldman

    Columbia University, United States

    3 publications · 88 citations

    3

    h-index

  2. JD
    Jean‐Philippe Després

    Université Laval, Canada

    2 publications · 37 citations

    2

    h-index

  3. JT
    Jo Towers

    University of Calgary, Canada

    2 publications · 47 citations

    2

    h-index

  4. MF
    Michael F. Schober

    New School, United States

    2 publications · 100 citations

    2

    h-index

  5. PA
    Panagiotis A. Kanellopoulos

    University of Thessaly, Greece

    2 publications · 83 citations

    2

    h-index

1–5 of 108

Venues

  1. Journal of Aesthetics and Art Criticism

    5 publications · 150 citations

    5

    h-index

  2. Frontiers in Psychology

    4 publications · 197 citations

    4

    h-index

  3. 3

    h-index

  4. Psychomusicology Music Mind and Brain

    3 publications · 90 citations

    3

    h-index

  5. Psychoanalytic Dialogues

    2 publications · 23 citations

    2

    h-index

1–5