Concepedia

Four-part Harmonization

Four-Part Harmonization is a compositional technique in music theory and keyboard skills that assigns each of four distinct voices—soprano, alto, tenor, and bass—to one note of a chord, ensuring consonant harmonic progression through prescribed voice-leading rules.

12

Publications

322

Citations

19

Authors

11

Institutions

Publications per year

2017–2026

0

Parents

Publications

12

Remixing Stereo Music With Score-Informed Source Separation.

John Woodruff, Bryan Pardo, Roger B. Dannenberg · International Symposium/Conference on Music Information Retrieval · 2006 · 68 citations · Full text

, , +12

The Four-Part Harmonisation Problem: A Comparison between Genetic Algorithms and a Rule-Based System

A. Phon-Amnuaisuk, GA Wiggins · 1999 · 55 citations

, , +15

Amandla!: A Revolution in Four-Part Harmony

Ian Barnard · African Arts · 2003 · 39 citations

, , +4

Multiple Viewpoint Systems: Time Complexity and the Construction of Domains for Complex Musical Viewpoints in the Harmonization Problem

Raymond Peter Whorley, Geraínt A. Wiggins, Christophe Rhodes et al. · Journal of New Music Research · 2013 · 35 citations

, , +14

Music Generation from Statistical Models of Harmony

Raymond Peter Whorley, Darrell Conklin · Journal of New Music Research · 2016 · 32 citations

, , +12

1–5 of 12

Authors

19

  1. RP
    Raymond Peter Whorley

    Goldsmiths University of London, United Kingdom

    3 publications · 86 citations

    3

    h-index

  2. CR
    Christophe Rhodes

    Goldsmiths University of London, United Kingdom

    2 publications · 54 citations

    2

    h-index

  3. MT
    Marcus T. Pearce

    Queen Mary University of London, United Kingdom

    2 publications · 54 citations

    2

    h-index

  4. GA
    Geraínt A. Wiggins

    Goldsmiths University of London, United Kingdom

    2 publications · 54 citations

    2

    h-index

  5. GW
    GA Wiggins

    University of Edinburgh, United Kingdom

    1 publications · 55 citations

    1

    h-index

1–5 of 19

Institutions

11

  1. Goldsmiths University of London

    London, United Kingdom

    2 h-index

    5 publications

    127 citations

  2. Nihon University

    Tokyo, Japan

    1 h-index

    2 publications

    22 citations

  3. UCL Australia

    Adelaide, Australia

    1 h-index

    1 publications

    19 citations

  4. Johns Hopkins University

    Baltimore, United States

    1 h-index

    1 publications

    12 citations

  5. The Open University

    Milton Keynes, United Kingdom

    1 h-index

    1 publications

    32 citations

  6. University of the Basque Country

    Leioa, Spain

    1 h-index

    1 publications

    32 citations

  7. University of Waterloo

    Waterloo, Canada

    1 h-index

    1 publications

    10 citations

  8. Northwestern University

    Evanston, United States

    1 h-index

    2 publications

    136 citations

1–8 of 11

Venues

  1. Journal of New Music Research

    3 publications · 78 citations

    3

    h-index

  2. 1

    h-index

  3. Traditio

    1 publications · 12 citations

    1

    h-index

  4. Sight & sound/Sight and sound

    1 publications · 15 citations

    1

    h-index

  5. Psychomusicology Music Mind and Brain

    1 publications · 10 citations

    1

    h-index

1–5