Formal Hearing

Formal Hearing is a theoretical construct in musicology that designates the cognitive and analytical process of perceiving and interpreting musical structure according to abstract, rule-governed forms, distinguishing it from emotive or referential modes of listening by prioritizing syntactical organization and hierarchical segmentation of musical elements.

18

Publications

415

Citations

33

Authors

24

Institutions

Publications per year

2017–2026

2

Authors

33

  1. BJ
    Brian Jacob

    University of Michigan, United States

    2 publications · 77 citations

    2

    h-index

  2. LR
    L R Faulkner

    Oregon Health & Science University, United States

    1 publications · 12 citations

    1

    h-index

  3. HH
    Harold H. Kelley

    University of California, Los Angeles, United States

    1 publications · 13 citations

    1

    h-index

  4. DM
    Debra M. Parrish

    University of Pittsburgh at Titusville, United States

    1 publications · 10 citations

    1

    h-index

  5. JI
    Jerry I. Shaw

    California State University, Northridge, United States

    1 publications · 13 citations

    1

    h-index

1–5 of 33

Venues

  1. Social Forces

    SF · 1 publications · 26 citations

    1

    h-index

  2. Journal of Financial Crime

    1 publications · 26 citations

    1

    h-index

  3. JAMA

    1 publications · 10 citations

    1

    h-index

  4. The Yale Law Journal

    1 publications · 28 citations

    1

    h-index

  5. Journal of Applied Social Psychology

    1 publications · 13 citations

    1

    h-index

1–5