Commodification Of Authenticity

Commodification of Authenticity is a theoretical construct in music studies that denotes the process by which perceived authenticity in musical expression is transformed into a marketable good, thereby subjecting cultural and artistic legitimacy to commercial valuation and exchange.

17

Publications

3.9K

Citations

18

Authors

10

Institutions

Publications per year

2017–2026

2

Authors

18

  1. RA
    Richard A. Peterson

    Vanderbilt University, United States

    3 publications · 124 citations

    3

    h-index

  2. LZ
    Lingqiang Zhou

    Zhejiang University, China

    1 publications · 86 citations

    1

    h-index

  3. EC
    Erik Cohen

    Hebrew University of Jerusalem, Israel

    1 publications · 2.6K citations

    1

    h-index

  4. LM
    Lee Marshall

    University of Bristol, United Kingdom

    1 publications · 36 citations

    1

    h-index

  5. JC
    Joseph C. Ruff

    1 publications · 23 citations

    1

    h-index

1–5 of 18

Venues

  1. Annals of Tourism Research

    3 publications · 3.1K citations

    3

    h-index

  2. Journal of American Folklore

    JAF · 1 publications · 23 citations

    1

    h-index

  3. Americanae (AECID Library)

    Repository · 1 publications · 15 citations

    1

    h-index

  4. Notes

    1 publications · 49 citations

    1

    h-index

  5. Modern China

    MCX · 1 publications · 39 citations

    1

    h-index

1–5