Bicycle Thieves

Bicycle Thieves is a seminal film within the Italian Neorealism movement, distinguished by its use of non-professional actors, on-location shooting, and a narrative centered on the socioeconomic struggles of post-World War II Italy to exemplify the movement’s commitment to cinematic authenticity and social critique.

6

Publications

478

Citations

8

Authors

3

Institutions

Publications per year

2017–2026

2

Variants

Ladri Di Biciclette

Authors

8

  1. KK
    Konrad Klejsa

    University of Łódź, Poland

    1 publications · 11 citations

    1

    h-index

  2. KH
    Kenneth H. Nott

    Newcastle University, United Kingdom

    1 publications · 208 citations

    1

    h-index

  3. MB
    Melissa Bateson

    Newcastle University, United Kingdom

    1 publications · 208 citations

    1

    h-index

  4. PJ
    Peter J. Dellolio

    1 publications · 10 citations

    1

    h-index

  5. PC
    Peng Chen

    Tsinghua University, China

    1 publications · 11 citations

    1

    h-index

1–5 of 8

Institutions

3

  1. China People's Public Security University

    Beijing, China

    1 h-index

    1 publications

    11 citations

  2. Newcastle University

    Newcastle upon Tyne, United Kingdom

    1 h-index

    3 publications

    624 citations

  3. University of Łódź

    Lodz, Poland

    1 h-index

    2 publications

    22 citations

1–3 of 3

Venues

  1. Choice Reviews Online

    CRO · 2 publications · 238 citations

    2

    h-index

  2. Journal of Italian Cinema and Media Studies

    JICMS · 1 publications · 11 citations

    1

    h-index

  3. ˜The œMidwest quarterly

    1 publications · 10 citations

    1

    h-index

  4. PLoS ONE

    1 publications · 208 citations

    1

    h-index

  5. The Professional Geographer

    1 publications · 11 citations

    1

    h-index

1–5