Carlos Rúa Landa

Atacamite as a natural pigment in a South American colonial polychrome sculpture from the late XVI century

Eugenia Tomasini, Carlos Rúa Landa, Gabriela Siracusano et al. · Journal of Raman Spectroscopy · 2012 · 42 citations · Full text

Humanities, Archaeology, Chemistry +13

A multi-analytical investigation of the materials and painting technique of a wall painting from the church of Copacabana de Andamarca (Bolivia)

Eugenia Tomasini, Diana Castellanos Rodríguez, Blanca A. Gómez et al. · Microchemical Journal · 2016 · 36 citations · Full text

Humanities, Art History, Iconography +8

Characterization of pigments and binders in a mural painting from the Andean church of San Andrés de Pachama (northernmost of Chile)

Eugenia Tomasini, José Cárcamo, Diana M. Castellanos Rodríguez et al. · Heritage Science · 2018 · 27 citations · Full text

Humanities, Art History, Fine Arts +14

Virtuous colours for Mary. Identification of lapis lazuli, smalt and cochineal in the Andean colonial image of Our Lady of Copacabana (Bolivia)

Eugenia Tomasini, Fernando Marte͏, Valeria P. Careaga et al. · Philosophical Transactions of the Royal Society A Mathematical Physical and Engineering Sciences · 2016 · 15 citations · Full text

Humanities, Archaeology, Art History +13

Identification of pigments and binders of a 17th century mural painting (Bolivia). New report on pigments associated with Andean minerals

Eugenia Tomasini, Ilaria Costantini, Valeria P. Careaga et al. · Journal of Cultural Heritage · 2023 · 15 citations · Full text

Arts, Art History, Mineralogy +10