Gabriela Siracusano

Spectroscopic, morphological and chemical characterization of historic pigments based on carbon. Paths for the identification of an artistic pigment

Eugenia Tomasini, Gabriela Siracusano, Marta S. Maier · Microchemical Journal · 2011 · 99 citations · Full text

Natural Sciences, Chemistry, Materials Science +16

Fungal deterioration of a Jesuit South American polychrome wood sculpture

Angela Fazio, Leandro Papinutti, Baltazar Gomez et al. · International Biodeterioration & Biodegradation · 2010 · 42 citations

Architecture, Heritage Conservation, Microbiology +12

Atacamite as a natural pigment in a South American colonial polychrome sculpture from the late XVI century

Eugenia Tomasini, Carlos Rúa Landa, Gabriela Siracusano et al. · Journal of Raman Spectroscopy · 2012 · 42 citations · Full text

Humanities, Archaeology, Chemistry +13

Identification of carbon-based black pigments in four South American polychrome wooden sculptures by Raman microscopy

Eugenia Tomasini, Blanca A. Gómez, Emilia B. Halac et al. · Heritage Science · 2015 · 38 citations · Full text

Natural Sciences, Chemistry, Materials Science +17

Blue Pigments in South American Painting (1610–1780)

Alicia M. Seldes, José Emilio Burucúa, Marta S. Maier et al. · Journal of the American Institute for Conservation · 1999 · 37 citations

Humanities, Art History, History +12