Inge Fiedler

A systematic analysis of red lake pigments in French Impressionist and Post‐Impressionist paintings by surface‐enhanced Raman spectroscopy (SERS)

Federica Pozzi, Klaas Jan van den Berg, Inge Fiedler et al. · Journal of Raman Spectroscopy · 2014 · 82 citations

Engineering, Red Lake Pigments, Art Institute +18

Chemical Fingerprinting of Ready-Mixed House Paints of Relevance to Artistic Production in the First Half of the Twentieth Century. Part I: Inorganic and Organic Pigments

Gwénaëlle Gautier, Anikó Bezur, Kimberley Muir et al. · Applied Spectroscopy · 2009 · 60 citations

Art History, Ink Painting, House Paints +11

Pablo Picasso to Jasper Johns: a Raman study of cobalt‐based synthetic inorganic pigments

Francesca Casadio, Anikó Bezur, Inge Fiedler et al. · Journal of Raman Spectroscopy · 2012 · 49 citations · Full text

Engineering, Renowned Contemporary Artist, Green Chemistry +17

Rejuvenating the color palette of Georges Seurat's <i>A Sunday on La Grande Jatte—1884</i>: A simulation

Roy S. Berns, Siobhan Byrns, Francesca Casadio et al. · Color Research & Application · 2006 · 42 citations

Color Palette, Art History, Spectral Reflectance Measurements +10

Electron energy loss spectroscopy elucidates the elusive darkening of zinc potassium chromate in Georges Seurat’s A Sunday on La Grande Jatte—1884

Francesca Casadio, S. Xie, S. C. Rukes et al. · Analytical and Bioanalytical Chemistry · 2010 · 34 citations

La Grande Jatte—1884, Engineering, Natural Sciences +6