Inge Fiedler

A systematic analysis of red lake pigments in French Impressionist and Post‐Impressionist paintings by surface‐enhanced Raman spectroscopy (SERS)

Federica Pozzi, Klaas Jan van den Berg, Inge Fiedler et al. · Journal of Raman Spectroscopy · 2014 · 84 citations

Natural Sciences, Chemistry, Fine Arts +16

Chemical Fingerprinting of Ready-Mixed House Paints of Relevance to Artistic Production in the First Half of the Twentieth Century. Part I: Inorganic and Organic Pigments

Gwénaëlle Gautier, Anikó Bezur, Kimberley Muir et al. · Applied Spectroscopy · 2009 · 60 citations

Natural Sciences, Art History, Chemistry +14

Pablo Picasso to Jasper Johns: a Raman study of cobalt‐based synthetic inorganic pigments

Francesca Casadio, Anikó Bezur, Inge Fiedler et al. · Journal of Raman Spectroscopy · 2012 · 50 citations · Full text

Natural Sciences, Chemistry, Materials Science +16

Rejuvenating the color palette of Georges Seurat's <i>A Sunday on La Grande Jatte—1884</i>: A simulation

Roy S. Berns, Siobhan Byrns, Francesca Casadio et al. · Color Research & Application · 2006 · 42 citations

Arts, Art History, Color Theory +13

Electron energy loss spectroscopy elucidates the elusive darkening of zinc potassium chromate in Georges Seurat’s A Sunday on La Grande Jatte—1884

Francesca Casadio, S. Xie, S. C. Rukes et al. · Analytical and Bioanalytical Chemistry · 2010 · 35 citations

Natural Sciences, Chemistry, Analytical Chemistry +7