Kimberley Muir

Chemical Fingerprinting of Ready-Mixed House Paints of Relevance to Artistic Production in the First Half of the Twentieth Century. Part I: Inorganic and Organic Pigments

Gwénaëlle Gautier, Anikó Bezur, Kimberley Muir et al. · Applied Spectroscopy · 2009 · 60 citations

Art History, Ink Painting, House Paints +11

Pablo Picasso to Jasper Johns: a Raman study of cobalt‐based synthetic inorganic pigments

Francesca Casadio, Anikó Bezur, Inge Fiedler et al. · Journal of Raman Spectroscopy · 2012 · 49 citations · Full text

Engineering, Renowned Contemporary Artist, Green Chemistry +17

Scientifically Investigating Picasso's Suspected Use of Ripolin House Paints in<i>Still Life</i>, 1922 and<i>The Red Armchair</i>, 1931

Kimberley Muir, Allison Langley, Anikó Bezur et al. · Journal of the American Institute for Conservation · 2013 · 31 citations

Art Theory, Ripolin Blanc, Humanities +12

John Keats. A Reassessment

E. C. Pettet, Kimberley Muir · The Modern Language Review · 1959 · 21 citations

Literary History, Humanities, Intellectual History +6

Quartz crystal rheometry: A quantitative technique for studying curing and aging in artists' paints

Lauren F. Sturdy, Francesca Casadio, Maria Kokkori et al. · Polymer Degradation and Stability · 2014 · 15 citations

Materials Science, Rheological Measurement, Engineering +4