On Judith Butler and Performativity

Abstract

“S and “naturalness” are discursive constructs and, although it might seem strange to refute the authority of “science” after quoting apparently “scientific” data, the point Butler is making is clear: the body is not a “mute facticity” (GT: 129), i.e. a fact of nature, but like gender it is produced by discourses such as the ones Butler has been analyzing. As with gender, to suggest that there is no body prior to cultural inscription will lead Butler to argue that sex as well as gender can be performatively reinscribed in ways that accentuate its factitiousness (i.e. its constructedness) rather than its facticity (i.e. the fact of its existence). Such reinscriptions, or re-citations as Butler will call them in Bodies That Matter, constitute the subject’s agency within the law, in other words, the possibilities of subverting the law against itself. Agency is an important concept for Butler, since it signifies the opportunities for subverting the law against itself to radical, political ends. PERFORMATIVITY