Cinema beyond film : media epistemology in the modern era

Abstract

Cinema beyond film - 6[-]Contents - 6[-]Acknowledgments - 8[-]Introduction to an Epistemology of Viewing and Listening Dis - 10[-]1 Epistemology - 24[-] The 1900 Episteme1 - 26[-] Projected Cinema (A Hypothesis on the Cinema's Imagination) - 46[-] The Case for an Epistemography of Montage - 60[-] The 'Cinematographic Snapshot' - 80[-] The Cinematograph versus Photography, or Cyclists and Time in the Work of Alfred Jarry - 98[-]2 Exhibition - 116[-] Dynamic Paths of Thought - 118[-] The Lecture - 146[-]3 Body and Voice - 170[-] Dancing Dolls and Mechanical Eyes - 172[-] From Broadcast Performance to Virtual Show - 194[-] The Lecturer, the Image, the Machine and the Audio-Spectator - 216[-] On the Singular Status of the Human Voice - 234[-]About the Authors - 254[-]Bibliography - 256[-]Index of Names - 260[-]Index of Titles - 266[-]Index of Subjects - 270