Journal of Film and Video · 2011 · 36 citations · 24 references
HumanitiesFilm StudiesFilm AestheticsFilm TheoryVisual PerceptionClassical Film TheoryClassical Hollywood CinemaEditing TheoryFilm FormVisual ContinuityCinematic IllusionClassical EditingClassical Text EditingEditing ContinuityPicture Editing
Research Article| April 01 2011 The Illusion of Continuity: Active Perception and the Classical Editing System Todd Berliner; Todd Berliner Search for other works by this author on: This Site Google Dale J. Cohen Dale J. Cohen Search for other works by this author on: This Site Google Journal of Film and Video (2011) 63 (1): 44–63. https://doi.org/10.5406/jfilmvideo.63.1.0044 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Todd Berliner, Dale J. Cohen; The Illusion of Continuity: Active Perception and the Classical Editing System. Journal of Film and Video 1 January 2011; 63 (1): 44–63. doi: https://doi.org/10.5406/jfilmvideo.63.1.0044 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressJournal of Film and Video Search Advanced Search The text of this article is only available as a PDF. Copyright 2011 by the Board of Trustees of the University of Illinois2011 Article PDF first page preview Close Modal You do not currently have access to this content.
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Recognition-by-components: A theory of human image understanding.
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Film Language: A Semiotics of the Cinema.
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Ideological Effects of the Basic Cinematographic Apparatus
Jean-Louis Baudry, Alan Williams · Film Quarterly · 1974 · 605 citations
Humanities, Film Studies, Media Arts +11