Visual Argument in Intercultural Contexts: Perspectives on Folk/Traditional Art

Abstract

This essay builds upon previous research in visual argument, further refuting objections through an examination of folk art theory. Folk art introduces unique perspectives on the role of art within and between communities, and establishes potential frames wherein folk artists assert communal identities and may refute colonial ones. Folk art thus presents a unique case in visual argument, grounded in contextual representation and significant for intercultural communication. As a case study explicating the role of folk art in visual argument, this essay traces the development of Blackfeet beadwork from 1895 to 1935.