Landscape Journal · 1991 · 22 citations · 2 references
ArchitectureEcologyLandscape EcologyLandscape DesignLandscape ManagementLandscape PlanningCultural LandscapesLandscape Formation ProcessesLandscape RepresentationLandscape VisualizationEcological UnderstandingEcosystem Understanding
Landscape design has traditionally focused on visual imagery, producing shallow forms that lack ecological roots, whereas contemporary ecological insight shows that visible landscapes are the manifestation of underlying processes, making form inseparable from process. The study argues that meaningful landscape design must visibly express the earth‑shaping processes that connect nature with human culture. Such process‑expressive landscapes are characterized as having deep forms.
Abstract For more than two centuries, landscape design in Western culture has been considered a matter of creating visual imagery, usually divorced from any concept or understanding of natural process. This view has often resulted in landscape forms that lack roots in the earth and are therefore shallow in character. The ecological understanding developed over the past several decades makes it clear that in nature the landscape we see is the visible manifestation of underlying, ongoing processes. Form and process are inseparable. For landscape design to be truly meaningful, it should also give visible expression to the processes that shape the earth, thus making a connection between nature and human culture. Landscapes that accomplish this can be described as having deep forms.
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DISCOVERING THE VERNACULAR LANDSCAPE
John Brinckerhoff Jackson · Landscape Journal · 1985 · 487 citations
The Alternating Current of Design Process
John Lyle · Landscape Journal · 1985 · 10 citations
Arts, Design, Creativity +11