The Journal of the Abraham Lincoln Association · 2006 · 25 citations · 3 references
Open access
ArtsPerforming ArtsAugmented Reality DesignDrawingInteractive VisualizationAugmented RealityAugmented Reality PerformanceLive Video PerformanceTangible User InterfacesAugmented Reality Instrument InterfacesCamera SystemsFlexibilityPerformance Interface DesignPerformative InterfacesPerformer InteractionProjection For Tangible InterfacesVisual Feedback
Real-time performance instruments for creating and sonifying spectrographic images have generally taken the form of stylus-based drawing interfaces, or camera-based systems which treat a live video image as a spectrogram. Drawing-based approaches afford great precision in specifying the temporal and pitch structures of spectral events, but can be cumbersome, as they only accept input from a single point; camera-based approaches offer quick flexibility in all-around image improvisation, but poor compositional precision because of inadequate visual feedback to the user. In this paper, I present a camera-based spectrographic performance instrument which affords both compositional precision and improvisatory flexibility. This is made possible through an augmented reality (AR) projection overlaid onto and carefully aligned with a dry-erase performance surface.
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John Underkoffler, Hiroshi Ishii · 1998 · 167 citations
The UPIC System: Origins and Innovations
Gérard Marino, Marie-Hélène Serra, Jean-Michel Raczinski et al. · Perspectives of New Music · 1993 · 40 citations