PMLA/Publications of the Modern Language Association of America · 1996 · 63 citations · 9 references
HumanitiesLiteratureLiterary CriticismPoetryRenaissance LiteratureMaritime HistoryPoeticsRenaissance IconographyRenaissance PoetryHeroic PoemsHeroic PoetryMaritime IconographyMaritime ImaginariesMythological PoemsRenaissance Lyric PoetryVoyage Narratives
A collaboration between poetry and nationalism, exemplified by the tutelary border guard or “genius of the shore,” accounts for the interest of many Renaissance poems; redrawing the map, poets express the myths and grievances that hold their nations together. In “Lycidas,” Milton tries to redeem the fatal voyage of Edward King, his Anglo-Irish friend, by renewing the ideal of a missionary spirit, joining poet, saint, and soldier in a protectorate to bridge Ireland and England. In The Lusiads , Camões personifies the Cape of Storms as the titan Adamastor (“Unconquerable”), who curses the audacity of da Gama's voyagers and predicts their future calamities; hence the figure represents both the glory and the self-pity of Portugal and of its national poet. Though Milton and Camões hope for a bright colonial future, they turn their faces, like Benjamin's Angel of History, toward memories of shipwreck in the past.
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A View of the Present State of Ireland
J. C. Beckett, Edmund Spenser, William Renwick · The Modern Language Review · 1971 · 198 citations
Clifford Leech, George Williamson · The Modern Language Review · 1961 · 126 citations
:<i>Milton's Spenser: The Politics of Reading</i>
P. J. Klemp · Sixteenth Century Journal · 1985 · 125 citations