Renaissance Iconography

Renaissance Iconography is a branch of iconographic study that identifies and interprets symbolic content in visual art of the Renaissance period, distinguished by its focus on the revival of classical themes, humanist ideals, and naturalistic representation within fifteenth- and sixteenth-century European art.

924

Publications

42.1K

Citations

995

Authors

222

Institutions

Publications per year

2017–2026

27

Authors

995

  1. EP
    Erwin Panofsky

    Carolina University of Theology, United States

    7 publications · 1.9K citations

    7

    h-index

  2. DB
    Douglas Bush

    Harvard University Press, United States

    6 publications · 210 citations

    6

    h-index

  3. EM
    Edward Muir

    University of Northwestern, United States

    5 publications · 90 citations

    5

    h-index

  4. EH
    E. H. Gombrich

    University of London, United Kingdom

    5 publications · 544 citations

    5

    h-index

  5. CG
    Creighton Gilbert

    Brandeis University, United States

    4 publications · 79 citations

    4

    h-index

1–5 of 995

Venues

  1. Choice Reviews Online

    CRO · 180 publications · 9K citations

    53

    h-index

  2. Sixteenth Century Journal

    ESCJ · 65 publications · 2.1K citations

    28

    h-index

  3. The American Historical Review

    AHR · 36 publications · 2.1K citations

    26

    h-index

  4. The Modern Language Review

    30 publications · 1.7K citations

    22

    h-index

  5. The Art Bulletin

    43 publications · 2.7K citations

    21

    h-index

1–5