Folk Dance Evaluation Using Laban Movement Analysis

Andreas Aristidou, Efstathios Stavrakis, Panayiotis Charalambous, Yiorgos Chrysanthou, Stephania Loizidou Himona

Journal on Computing and Cultural Heritage · 2015 · 105 citations · 21 references

Concepts

TL;DR

Motion capture is increasingly used to digitize dance, yet existing algorithms rely on ad‑hoc metrics that fail to capture stylistic variations and improvisations. This work proposes a framework grounded in Laban Movement Analysis to identify style qualities in dance motions. The algorithm maps motion to a feature space of the four LMA components (Body, Effort, Shape, Space), and is implemented in a VR simulator that compares user movements to folk dance templates and delivers intuitive feedback. Experimental results show the system effectively evaluates dance motion, suggesting new possibilities for automated motion and dance assessment.

Abstract

Motion capture (mocap) technology is an efficient method for digitizing art performances, and is becoming increasingly popular in the preservation and dissemination of dance performances. Although technically the captured data can be of very high quality, dancing allows stylistic variations and improvisations that cannot be easily identified. The majority of motion analysis algorithms are based on ad-hoc quantitative metrics, thus do not usually provide insights on style qualities of a performance. In this work, we present a framework based on the principles of Laban Movement Analysis (LMA) that aims to identify style qualities in dance motions. The proposed algorithm uses a feature space that aims to capture the four LMA components (B ody , E ffort , S hape , S pace ), and can be subsequently used for motion comparison and evaluation. We have designed and implemented a prototype virtual reality simulator for teaching folk dances in which users can preview dance segments performed by a 3D avatar and repeat them. The user’s movements are captured and compared to the folk dance template motions; then, intuitive feedback is provided to the user based on the LMA components. The results demonstrate the effectiveness of our system, opening new horizons for automatic motion and dance evaluation processes.

References

21